Although composer Daniel Lopatin’s R Plus Seven contains many familiar sonic touchstones for listeners who have followed the acclaimed electronic music composer’s development over the last half-decade, his Warp Records debut is a major departure from his previous work; Lopatin’s experimental inclinations lurk behind the scenes, while the music itself comes as close as Lopatin has ever gotten to anything resembling traditional song structure.

The Brooklyn-based artist has always deftly balanced the experimental with the accessible: He has released several albums under his Oneohtrix Point Never moniker on various independent labels, as well as amassing a large catalogue of mini-album tape releases. His most recent disc, 2011’s Replica, was built around samples of television commercials; Sasha Frere Jones of the New Yorker called it “music that gently triggers a series of images and feelings, none of which you can name and all of which seem entirely common.” He has built live soundscapes at the Museum of Modern Art and created original music for Sophia Coppola’s The Bling Ring.

With all of its aural hallways and corridors, Oneohtrix Point Never’s R Plus Seven is a kind of choose-your-own adventure, reflecting the complexly structured yet utterly freewheeling process behind its creation.